This is the beginning of Rocket’s (Bradley Cooper) origins that gave the world the endearingly snarky genius. Gunn opens on caged baby raccoons with petrified looks in their eyes, while an ominous hand reaches in to grab one of the cowering creatures with malice. 3 is focused on its titular group, rather than the ever-growing multiverse, as it replaces the flashing images contained within each letter with the Guardians themselves. The opening Marvel logo makes it clear that Guardians of the Galaxy Vol. Rocket’s origin story Marvel Studios Image used with permission by copyright holder This sequel is overlong, overstuffed, and tonally inconsistent, but it still rouses all of the pivotal feelings that any MCU viewer is looking for. 3 is a solid conclusion to a rather consistent trilogy that sincerely wants only the best for its charming ensemble. The MCU magic isn’t what it once was, but Guardians of the Galaxy Vol. Gunn’s third Guardians film isn’t his best franchise entry, but it’s a substantial step up from Phase Five’s unfortunate introduction. The Guardians still have their comedic bond intact in what is surely one of the gloomiest MCU entries yet. He packs a lot into an ambitious 150-minute runtime, interweaving light and dark tones to mostly positive results. 3 is a Gunn retrospective of sorts, compiling his squirmy body horror and winking sense of humor into an emotional package that aims to do right by the ragtag misfits that audiences came to know and love. He was never the type of filmmaker to play it safe, extending back to his Troma days. Comic book movie fans are also evaluating how he concludes this era of his career, as Gunn now co-heads DC Studios along with Peter Safran. 3, as he has more on the line than his franchise legacy.
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